West Virginia : My healing place, and the birthplace of a new self.
| Colors Unedited: Soft Pink Light in the Blue Ridge Mountains Arts & Crafts Shed. Foggy Morning in Bartow, WV. Summer 2010 |
She falls in love a lot, but rarely
with people. Right now she’s focused on his muscular chestnut neck and he’s
focused on the ground, using hairy lips to analyze the stalks of weeds and to
precisely select chlorophyll-filled victims. She likes his company. She likes
that he has spirit and can be unpredictable. She wants to be more like him.
To
reaffirm their differences, he usually does not let her touch him when they are
in the pasture.
The pasture has
several thick meadows, a shaded tree grove with rocky terrain, a stream that
gushes relief even on the hottest days, and a slope that has eroded into a
mudslide due to the hoofed traffic. Part of this, including the water flow,
lies in a bowl shaped valley, which fills with cricket chirps and thick fog
every evening as the air temperature sharpens. Like a call to service by brass
church bells, the local barred owl coolly acknowledges the thickening of the
milky screens and the stillness of night settling in. As the golden glow of the
farm lights are swathed in earth’s chilly silks, everything in the valley
becomes physically lost.
Horses and forest
animals don’t mind the mist. They peacefully accept that they cannot navigate
and that there’s nowhere that they crucially need to be. They surrender a
measure of control, sensing that they are safe in the blanket of the fog.
Sometimes,
when the sun is low, she brings her guitar to the pasture. Her visits are
irregular because she’s preoccupied with work and people, but the meadow waits
for her. Sometimes she’s barefoot, undaunted by the potential health hazards of
connecting with the land. There are many horses in the pasture, some with
gentler temperaments and better builds, but she always sits by him.
| Top: My campers on an August trail ride. Bottom: Larry, the horse that is the subject of this piece, and myself . 7am |
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